FreshFiction...for today's reader

Authors and Readers Blog their thoughts about books and reading at Fresh Fiction journals.

Thursday, May 07, 2009

Deidre Knight | It’s a Crazy, Small, Connected World!

Recently Samhain Publishing released a true book of my heart, BUTTERFLY TATTOO. This edgy and genre-bending contemporary romance is my seventh published book although it was the very first one that my agent shopped on my behalf. The winding path this novel took before becoming published is a true study in how important relationships are, not only in publishing, but in all walks of life.

I thought it might be interesting for my friends and readers to learn the crazy relationship connections that are involved in my road to publication. The story begins with Louisa Edwards, the editor who ultimately bought my first book, PARALLEL ATTRACTION. Louisa is literally one of my favorite people in all of publishing. We’ve worn a lot of hats together, and it’s almost amusing as time goes on to see just how many caps and beanies we can swap.

While Louisa was still an editor at Penguin Putnam, I placed three authors with her, and we always felt that our tastes overlapped and blended almost mystically. So when my agent Pamela Harty—a super goddess among agents, by the way—shared BUTTERFLY TATTOO with her, Louisa fell in love. I mean, head-tripping-over-heels, crazy in love. She fought hard to acquire the novel, but ultimately the book was just too edgy and ahead of its time. Still, Louisa’s love for BUTTERFLY opened a critical door for me and just a few months later, it led to her snapping up my paranormal series that debuted with PARALLEL ATTRACTION.

Click to read the rest of Deidre's blog, comment or enter her blog contest.

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Tuesday, April 22, 2008

L. J. Sellers | Taking the Plunge

At the end of last year, I decided that 2008 would be different. I had several goals:

1) start a new novel

2) work on my novel first thing every day, even if I had to get up an hour earlier

3) find or create paying work that I enjoyed more than what I was currently doing to earn a living

4) sell my detective series to another publisher

By March 1, I had accomplished the three things I had control over—although not the way I expected to. January first, I began to outline my new Detective Jackson novel with working title, SECRETS TO DIE FOR. I began getting up at five o’clock to write for an hour before I went to work. At the time, I worked as an editor for an educational publisher, a demanding job that left me too mentally exhausted at the end of the day to feel creative enough to fill blank page after blank page (which is how a novel comes into existence).

Next, I started sending out letters to agents, publishers, and writers, announcing my services as a fiction editor. And I contacted some corporate clients and magazines about nonfiction editing as well. Then I took the biggest step: I asked my employer to let me cut back on my hours at work, thinking it would be long slow transition to self-employment. They promptly laid me off.

Thank you very much.

Terrified, but joyously liberated, I plunged into a new routine: Write for three or four hours exclusively on my novel first thing every morning, break for an hour of exercise, then freelance edit for others. And the work poured in—enough to pay the bills. Now in the evenings, instead of trying to squeeze in a little bit of uninspired writing, I have time to network and market my novel that's currently in print, THE SEX CLUB. Most days I’m at my desk from six in the morning until ten at night, but very little of it feels like work.

I love my new life! My bathroom is perpetually untidy, dinner is often an unimaginative freezer-to-oven meal, and there's laundry backed up everywhere. But yesterday, I passed page 150 on my novel, so who cares? My husband says he's never seen me so happy. It's the first time in my life that I've put my personal writing first. Making a living, raising kids, taking care of extended family, and keeping the house together were always a priority. These things are still important, but they are no longer most important. (Don't call child services; my kids are adults now.)

My goal is keep it going for as long as possible—because I finally feel like my real self. I know that not every writer is in a position to make this kind of change, but I heartily recommend it if you can.

L. J. Sellers

http://thesexclub.net/

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